Tekstteori og analyse FIF3013/1
Pensum for studieåret
Obligatorisk litteratur
Robert Stam: Film Theory. An Introduction. Blackwell, 2002
Obligatorisk litteratur - kompendier og nettressurser
Introduksjon
Thomas Elsaesser & Warren Buckland, ”Film theory, methods, analysis”. I:Studying ., Arnold, 2002, ss 1-25 Contemporary American Film. A Guide to Movie Analysis
Geoffery Nowell-Smith, ”How films mean, or, from aesthetics to semiotics and half-way back again”. I: I: Christine Gledhill & Linda Williams, red.,Reinventing Film Studies, Arnold, 2000, ss 8-17
Mark Betz, ”Little books”. I: Lee Grieveson & Haidee Wasson, red.,Inventing Film Studies, Duke University Press, 2008, ss 319-349
Filmens essens, form, ontologi
Sergei Eisenstein, ”Dickens, Griffith and film today”. I: Leo Braudy & Marshall Choen, red., Film Theory and Criticism, 6
th
ed., Oxford University Press, 2004, ss 436-444
Boris Eikhenbaum, “Literature and cinema”. I: Stephen Bann & John E. Bowlt, red., , Barnes and Noble, 1973, ss 122-127
Russian Formalism
Rudolf Arnheim, “Contents and Style”. I: Film Essays and Criticism, University of Wisconsin Press, 1977, ss70-89
Erwin Panofsky, “Style and medium in the motion pictures”. I: Leo Braudy & Marshall Choen, red., Film Theory and Criticism, 6
th
ed., Oxford University Press, 2004, ss 289-302
Bela Balazs, ”Visible man, or the culture of film”. I: Mark Furstenau, red.,The Film Theory , Routledge, 2010, ss 69-79
Reader
Rick Altman, ”Dickens, Griffith, and film theory today”. I: Richard Abel, red.,Silent Film, Rutgers, 1996, ss 145-162
Filmen + realisme
Andre Bazin, ”On the ontology of the photographic image”. I: Leo Braudy & Marshall Choen, red., Film Theory and Criticism, 6
th
ed., Oxford University Press, 2004, ss 166-169
Andre Bazin, ”The evolution of the language of cinema” I: Leo Braudy & Marshall Choen, red., Film Theory and Criticism, 6
th
ed., Oxford University Press, 2004, ss 41-54
Siegfried Kracauer, ”Basic concepts”. I:Theory of Film. The Redemption of Physical Reality, Oxford University Press, 1960, ss 27-40
Francesco Casetti, “Cinema and reality”. I:Theories of Cinema, 1945-1995, University of Texas Press, 1999, ss 21-42
Lev Manovich, “Synthetic realism and it’s discontents”. I:The Language of New Media, MIT Press, 2001, ss 184-204
Filmfortelling / filmforteller
David Bordwell, “Principles of narration”. I:Narration in the Fiction Film, University of Wisconsin Press, 1985, ss 48-62
Edward Branigan, “Levels of narration”. I:Narrative Comprehension and Film, Routledge, 1992, ss 86-124
Nick Browne, “The spectator-in-the-text”. I: Philip Rosen, red.,Narrative, Apparatus, , Columbia University Press, 1986, ss 102-119
Ideology
Tom Gunning: “Narrative discourse and the narrative system”. I: Leo Braudy and Marshall Cohen, Film Theory and Criticism, 7
th
ed., Oxford University Press, 2009, ss 390-401 Film og forståelse
David Bordwell, ”Poetics of cinema”. I:Poetics of Cinema. Routledge, 2008, ss11-56 Nöell Carroll, ”Film, emotion and genre”. I: Nöell Carroll & Jinhee Choi, ed.,Philosophy of
, Blackwell, 2006, ss 217-233 Film and Motion Pictures
David A Cook, “Making sense”. I:Film Criticism, vol 17, issue 2/3, Spring 1993, ss 31-39 E. Ann Kaplan, “Disorderly Disciplines”. I:Film Criticism, vol 17, issue 2/3, Spring 1993, ss 48-52
Eliza Pezzotta, “Film analysis”. I: Wide Screen, vol 1, issue 2, June 2010, , ss 1-23
www.widescreenjournal.org
Ira Bhaskar, “’Historical Poetics,’ narrative and interpretation”. I: Toby Miller & Robert Stam, red.,A Companion to Film Theory, Blackwell, 1999, ss 387-412
Film, sjanger og melodrama
Christine Gledhill, “Rethinking genre”. I: Christine Gledhill & Linda Williams, red., , Arnold, 2000, ss 221-243
Reinventing Film Studies
Linda Williams, “Melodrama revised”. I: Nick Browne, red.,Refiguring American Film , University of California Press, 1998, ss 42-88
Genres
Tom Ryall, “Genre and Hollywood”. I: John Hill & Pamela C. Gibson, red.,American , Oxford University Press, 2000, ss 101-112
Cinema and Hollywood
Barbara Klinger , “’Cinema/Ideology/Criticism’ revisited: The progressive genre”. I: Barry K. Grant, red.,Film Genre Reader III, Texas University Press, 2003, ss 75-92
Film, fjernsyn og postmodernismen
Fredric Jameson, “’The nostalgia mode’ and ‘Nostalgian for the present’”. I: Peter Brooker & Will Brooker, red., PostmodernAfter-Images, Arnold, 1997, ss 23-35 Linda Hutcheon, “Postmodern film”. I: Peter Brooker & Will Brooker, red.,
, Arnold, 1997, ss 36-42 PostmodernAfter-Images
Douglas Kellner, “Television, advertising and the construction of postmodern identities”.
I:Media Culture, Routledge, 1995, ss 231-262
Jim Collins, ”Television and postmodernism”. I: Robert Stam & Toby Miller, ed.,Film and , Blackwell, 2000, ss 758-773
Theory. An Anthology
Dick Hebdige, “Postmodernism and the other side”. I: John Storey, red.,Cultural Theory , Pearson, 2006, ss 410-424
and Popular Culture
Fjernsynets form og system
Raymond Williams, ”The technology and society”. I: Toby Miller, ed.,Television. Critical , Routledge, 2003, ss 42-57
Concepts in Media and Cultural Studies, vol 2
John Ellis, Broadcast TV as cultural form”. I:Visible Fictions, Routledge, 1992, ss 111-126 John Ellis, “Working through. Television in the age of uncertainty”. I:Seeing Things.
, I. B. Tauris, 2000, ss 74-90 Television in the Age of Uncertainty
Trisha Dunleavy, “Drama and ‘TVIII’: Innovation at the ‘High-End’”. I:Television Drama.
, Palgrave, 2009, ss 198-232 Form, Agency Innovation
Charlotte Brundson, “What is the ‘television’ of television studies?”. I: Horace Newcomb, ed., Television. The Critical View, 6
th
ed., Oxford University Press, 2000, ss 609-628 Film, fjernsyn, media
Graeme Turner, ”Cultural studies and film”. I: John Hill & Patricia C. Gibson, red.,Film , Oxford University Press, 2000, ss 193-199
Studies. Critical Approaches
Anne Friedberg, “The end of cinema: multimedia and technological change”. I: Christine Gledhill & Linda Williams, red.,Reinventing Film Studies, Arnold, 2000, ss 438-452
Jacques Rancier, “The future of the image”. I:The Future of the Image, Verso, 2007, ss 1-31
David N. Rodowick, “Dr. strange media, or, how I learned to stop worrying and love film theory”. I: Lee Grieveson & Haidee Wasson, red.,Inventing Film Studies, Duke University Press, 2008, ss 374-398
Anbefalt litteratur
Richard Rushton & Gary Bettinson: What is Film Theory?, Open University Press, 2010 Thomas Elsaesser & Warren Buckland: Studying Contemporary American Film. A Guide to
. Arnold Publishers, 2002 Movie Analysis
