Tekstteori og analyse FIF3013
Pensum for studieåret
Obligatorisk litteratur
Stam, Robert (2000) Film Theory : An Introduction.Malden, Mass. : Blackwell. 381 sider
Obligatorisk litteratur - kompendier og nettressurser
Introduksjon
Thomas Elsaesser & Warren Buckland, ”Film theory, methods, analysis.” I:Studying Contemporary American Film. A Guide to Movie Analysis, Arnold, 2002, ss 1-25
Geoffery Nowell-Smith, ”How films mean, or, from aesthetics to semiotics and half-way back again.” I:Christine Gledhill & Linda Williams, red.,Reinventing Film Studies, Arnold, 2000, ss 8-17
Mark Betz, ”Little books.” I: Lee Grieveson & Haidee Wasson, red.,Inventing Film Studies, Duke University Press, 2008, ss 319-349
Filmens essens og form
Sergei Eisenstein, ”Dickens, Griffith and film today.” I: Leo Braudy & Marshall Choen, red.,Film Theory and Criticism, 6th ed., Oxford University Press, 2004, ss 436-444 Rudolf Arnheim, “Contents and Style.” I:Film Essays and Criticism, University of Wisconsin Press, 1977, ss70-89
Bela Balazs, ”Visible man, or the culture of film.” I: Mark Furstenau, red.,The Film Theory
Reader, Routledge, 2010, ss 69-79
Roland Barthes, “The Face of Garbo.” I: Leo Braudy & Marshall Choen, red.,Film Theory and Criticism, 6th ed., Oxford University Press, 2004, ss 589-592
Rick Altman, ”Dickens, Griffith, and film theory today.” I: Richard Abel, red.,Silent Film, Rutgers, 1996, ss 145-162
Filmens forhold til realisme
Andre Bazin, ”On the ontology of the photographic image.” I: Leo Braudy & Marshall Choen, red.,Film Theory and Criticism, 6th ed., Oxford University Press, 2004, ss 166-169
Andre Bazin, ”The evolution of the language of cinema.” I: Leo Braudy & Marshall Choen, red.,Film Theory and Criticism, 6th ed., Oxford University Press, 2004, ss 41-54
Siegfried Kracauer, ”Basic concepts.” I:Theory of Film. The Redemption of Physical Reality, Oxford University Press, 1960, ss 27-40
Philip Rosen, “Belief in Bazin.” I: Dudley Andrew, red.,Opening Bazin. Postwar Film Theory and Its Afterlife. Oxford University press, 2011, ss. 107-118
Lev Manovich, “Synthetic realism and it’s discontents.” I:The Language of New Media, MIT Press, 2001, ss 184-204
Filmens språk og virkning
Christian Metz: “From the Imaginary Signifier. Identification, Mirror.” I: Gerald Mast et al., ed.,Film Theory and Criticism. Introductionary Readings. Oxford University Press, 1992, ss 730-746
Nöel Carroll:“The Specificity of Media in the Arts.” I: Robert Stam & Toby Miller, red.,Film and Teory, Blackwell, 2000: ss 39-53
Vivian Sobchack:Carnal Thoughts: Embodiment and Moving Image Culture, University of California Press, 2004: ss 1-9, 53-84
Dudley Andrew, “The Neglected Tradition of Phenomenology in Film Theory.” I: Bill Nichols, red.,Movies and Methods, vol II. Univeristy of California Press, 1984, ss 625-631 Filmfortelling / filmforteller
David Bordwell, “Principles of narration.” I:Narration in the Fiction Film, University of Wisconsin Press, 1985, ss 48-62
Nick Browne, “The spectator-in-the-text.” I: Philip Rosen, red.,Narrative, Apparatus, Ideology, Columbia University Press, 1986, ss 102-119
Tom Gunning: “Narrative discourse and the narrative system.” I: Leo Braudy and Marshall Cohen,Film Theory and Criticism, 7th ed., Oxford University Press, 2009, ss 390-401
Noel Carroll, “Narration.” I Paisly Livingston & Carl Plantinga, red,Routledge Companion to Philosophy and Film, Routledge, 2009, ss. 1996-206
Sjanger og kognitiv filmteori
Greg Smith, “Local Emotions, Global Moods, and Film Structure.” I: Carl Plantinga and Greg M. Smith, ed.,Passionate Views: Film, Cognition and Emotion, The Johns Hopkins University Press, 1999: 103-126
Robert Warshow, “The Gangster as a Tragic Hero.” I: Philip Simpson et al,ed,Film Theory:
Critical Concepts in Media and Cultural Studies, vol II., Routledge, 2004, ss 144-148 Linda Williams, “Melodrama Revised.” I: Nick Browne, red.,Refiguring American Film Genres. University of California Press, 1988, ss 42-88
Jim Collins, “Genericity in the Nineties: Eclectic Irony and the New Sincerety.” I: Jim Collins, Hillary Radner & Ava Preacher Collins, red.,Film Theory Goes to the Movies.
Routledge, 1993, ss 242-263
Janet Staiger, “Hybrid or Inbreed: The Purity Hypothesis and Hollywood Genre History.”
I: Barry Keith Grant, red.,Film Genre Reader III, University of Texas Press, 2003, ss.
186-199
Den store debatten om filmteori
David Bordwell, ”Contemporary Fim Studies and the Vicissitudes of Grand Theory.” I:
David Bordwell & Noell Carroll, red.,Post Theory. University of Wisconsin Press, 1996, ss 3-36
E. Ann Kaplan, “Disorderly Disciplines.” I:Film Criticism, vol 17, issue 2/3, Spring 1993, ss 48-52
Robert B. Ray, “The Bordwell Regime and the Stakes of Knowledge.” I:How a Film Theory Got Lost. Indiana University Press, 2001, ss 29-63
Ira Bhaskar, “’Historical Poetics,’ narrative and interpretation.” I: Toby Miller & Robert Stam, red.,A Companion to Film Theory, Blackwell, 1999, ss 387-412
Film, fjernsyn og postmodernismen
Fredric Jameson, “’The nostalgia mode’ and ‘Nostalgian for the present.’” I: Peter Brooker & Will Brooker, red.,Postmodern After-Images, Arnold, 1997, ss 23-35
Linda Hutcheon, “Postmodern film.” I: Peter Brooker & Will Brooker, red.,Postmodern After-Images, Arnold, 1997, ss 36-42
Douglas Kellner, “Television, advertising and the construction of postmodern identities.”
I:Media Culture, Routledge, 1995, ss 231-262
Jim Collins, ”Television and postmodernism.” I: Robert Stam & Toby Miller, ed.,Film and Theory. An Anthology, Blackwell, 2000, ss 758-773
Dick Hebdige, “Postmodernism and the other side.” I: John Storey, red.,Cultural Theory and Popular Culture, Pearson, 2006, ss 410-424
Fjernsynets form og system
John Ellis, “Working through. Television in the age of uncertainty.” I:Seeing Things.
Television in the Age of Uncertainty, I. B. Tauris, 2000, ss 74-90
Charlotte Brundson, “What is the ‘television’ of television studies?” I: Horace Newcomb, ed., Television.The Critical View, 6th ed., Oxford University Press, 2000, ss 609-628 Charlotte Brundson, “Problems of Quality.” I:Screen, 1990, vol 31, no 1, ss 67-90 Christine Geraghty, “Exhausted and Exhausting: Television Studies and British Soap Opera.” I:Critical Studies in Television, 2010, vol 5, no 1, ss 82-96
Film, fjernsyn, media
Graeme Turner, ”Cultural studies and film.” I: John Hill & Patricia C. Gibson, red.,Film Studies. Critical Approaches, Oxford University Press, 2000, ss 193-199
Anne Friedberg, “The end of cinema: multimedia and technological change.” I: Christine Gledhill & Linda Williams, red.,Reinventing Film Studies, Arnold, 2000, ss 438-452
David N. Rodowick, “Dr. strange media, or, how I learned to stop worrying and love film theory.” I: Lee Grieveson & Haidee Wasson, red.,Inventing Film Studies, Duke University Press, 2008, ss 374-398
Anbefalt litteratur
Richard Rushton & Gary Bettinson,What is Film Theory. An Introduction to Contemporary Berkshire, UK: Open University Press, 2010. 209 sider.
Debates.
