Exploring Experimental
Publishing:
Mappings, Pilots, and Guidelines
Janneke Adema Coventry University / COPIM 16th Munin Conference 2021
November 17th
·- E Q_
Uc SANTA BARBARA
LIBRARY Sch o l a rled
'-.../
,./\... MATTER ING PRESS
g Loughborough
U University ~ ~ DigitalPreservationCoalition
Coventty
On1vers1ty ~ Open Book M
Publishers ~
9 punctumbooks
IJI meson press
()
OPEN HUMANITIES PRESS
CON SOR TI UM
COPIM’s Work Packages
O UTR E A C H &
C R O SS -W P P R O J E C T M A N A G EM EN T
O P E N B O O K C O LLE C TIV E
.
TR A N S ITIO N TO O A
7 D X 1 OB $ B - 1
TH O TH : O P E N D IS S E M IN ATIO N SY STE M EX P ER IM EN TATIO N & R E -US E
P R ES ER V ATIO N
6 4
3
5
˛ 2
1
Maxwell, J. W., et al. (2019). Mind the Gap: A Landscape Analysis of Open Source Publishing Tools and Platforms. PubPub.
https://doi.org/10.21428/6bc8b38c.2e2f6c3f
SComCaT: Scholarly Communication Technology Catalogue.
https://www.scomcat.net/
Explore the Vectors Joumal •
Evidence
Volume l Issue 1, Fall 2005
Issue Introduction View Projects (8)
Mobility
Volume l Issue 2, Spring 2006
Issue Introduction View Projects (7)
Ephemera
Volume 2 Issue 1, Fall 2006
Issue Introduction View Projects (8)
Perception
Volume 2 Issue 2, Winter 2007
Issue Introduction View Projects (7)
Difference
Volume 3 Issue 1, Fall 2007
Issue Introduction View Projects (7)
Memory
Volume 3 Issue 2, Summer 2012
Issue Introduction View Projects (8)
CURRENT Issue EDITORIAL statement BLOG ARCHIVE
ExcelJ)t from Evidence's Issue Introduction:
"For some tlme now, postmodem culture has comforted Itself with the thought that our age is defined by unstable relations between signifier and signified; by delirious uncertainty not only about the past but our own access to events In the present.•
ExcelJ)t from Mobility's Issue Introduction:
·each of the projects in this second issue of VC!ctors in some way serves to remind us of the social and cultural Imbrications of technologically
mediated mobility."
ExcelJ)t from Ephemera's Issue lntC9ductio!I:
·each of the projects in this Issue attempts to take seriously the significance of cultural artlfacts that would otherwise be forgotten or overwhelmed by more official documents and discourses of history."
ExcelJ)t from Perception's Issue Introduction:
"The rubric of 'perception' offers a convenient throughllne by which to weave t09ether a number of field~, lndudlng geography, cognitive science, film studies, art history, philosophy, and the digital arts."
Exce!rpt from Difference's Issue Introductjon;
"I am contlnually amazed by how easy It Is to hold these two types of work apart and have come to believe that the very forms of electronic culture encourage Just such a partitioning or modularity, making it hard to sustain connections across fields of knowledge."
Excerpt from Memory's Issue Introduction:
•Reagan's call for national pride and unity seemed anachronistic even 20 ye!ars ago but he pulled it off with an avuncular wink that would have!
been unimaginable from any of his successors."
26 1 F•ll 2021 Sound •nd Socl•I Change
Logging On
Introduction to - Speclal lnue: Sound and Sodal Change
Shewondli Leger, Eric Rodriguez., J~'L.li WoumMin, Shlnnon KeUy, ROA Tobin • BetUomln Lauren. Special lau• Editors
1.0gglng On: Foll 2021 Cheryl lllU, EclitOt'
Dlspulalio
Composing the Sonic SacNd: Podca1tlng as Falth~aHd Activism Jonathan W. Stone
My argument in this some d~ Is that actM5m within
~ religlou$ traditions Is. <Ndol, ~often-·
lorm ol sodol change. In recznt years, a>mer<atM Ovi5llanity has become subject to incmlsed SCl\lliny due to what many see as ontiQuoted and even disaiminatory beliefs and prodices; because qUCSllonlng rciiglous dogma In a ctMJtth sca1ng can be - · ~ng onllno platforms !\!Ve t>e<ome • Slfe p1aee to doscuss faith, doobt, and religious d~.
..
lntMVI~
A Convef'N'don on Sound, Rhetofk, and Community
Kmrr•nn Soto V99• & St•v•n Hammer Abolition•• Pr•xi•: An lntMVl9W wfth Sylvta Ryen;on and Lula Lun•
RoH Tobin, SyMa Ryerson, I Luis Luna lndu: A.JI Kai"Ol lnt~Mwa
Reviews
~Review of; u#d to .4o"'9 to dtNm by A.O.
http://vectors.usc.edu/archive/ https://kairos.technorhetoric.net/
t
serves as the connective tissue for global system where speculation turns
.. "
... ..
-:: .. _
. .
-.
•
How to R . . d This Text
,
---....--~---·...
_,_,_______ .. -.- .. --...- ... ...
... --- ... -
_ ... ,.., ... ---·-- .... ...
____ .. _..,.. ... ___ .. __
__..._ .. .,. .. _"_.__._ ...
-k-
,, ...,...,.. ... _ __ ... ..__,... _...,.. ___ ___ ... .. __
---~---·-,--
.. -·.
,, --
*""-" ... -... - ...
... _ _ __ .... ., ... --·--
.. _... .,. ....
.,_,,..... ,. ... - ... ..
---•t•fllti...-.1'o-• ... _.
-
---- ... ---·-
---·--- ---·- ---··--·---
_ _ __ ... _....,... ___ _ ---·- ________ .,. ____ _ .. -- ...
--·---·
_,
___ ,....,.... _______ _
...
.,... ... - . ... _
---::==-=~·H
.. ...
~~~ii:l~~s~
,... ... ~fll...n"-CaM... ...
-'l'~-~... ...
1111 . . . _ - - . . .I.,_,.,..
... ...__--.... __ .. __
=~£?~-§ __ .. _,,.. __ ...
.,..._..,~,_..._.,.._,. __ ...,.. ... ....,.
... ..., ... _ .. ..., ... - ...
... -... ----.. lo----·
.... ..._..,...-.._.._,,..,...., ... _-
- .... -.,... .... _ - . . , .. rw,..._, ....
..,
__
,____ ...., ____ .. _
----·--·---~---
---· .... -·---11 ... _
_ ... _ ... ,..__. .. "'_
Books Contain Multitudes:
Exploring Experimental Publishing
A COPIM WP6 Reseorch end ScopO'>g Report
C0pim
Part J; Techn~ Woflcflows and Tools for Exp<rim<T>tal PubliShl . .
.. ..., ...
~...
https://doi.org/10.5281/zenodo.5572413
Different kinds of
experiments
• experiments with the form and format of the scholarly book;
• experiments with the various
(multi)media through which books can be performed;
• experiments with the ways in which scholarship can be produced,
disseminated, and consumed;
• experiments that rethink what research, scholarly communication, and
publishing are or do, and how they are
currently organised
Computational Books Enhanced Books
Typology of Experimental
Books
Experiments in Authorship Experimental Design Books Experiments in Reviewing Database books
Hybrid books
Interactive Books Living Books
Performative Books Remixed Books
Versioned Books
... -.. . ... 1
CMl . . . KCll A.pnrt•:IMnoto.n..-n.ory ---.a~HllYwO
~=.::;::
~moft)'-·.,_
.... ,., ... ~-il'l2008
~ICA - •41.1••• - :u:
AT01"T& .,. Y - •1
80UD<»f 01. State ot -~ey
0 - -
. .., ... ... ... _..,..._Cl_ ..,....,....,. ... --- ... _...., ...
~.., ... ... ... ... ..,_., ._.-
~-
- ... - ..._
,_...,..,,-A ...
- ,... ... ....
...-~-...-.. ... ....
... .,...rr ..
_,..._
-~C-tslaU. . . . . a.Ml.,. -
»•
Ndlhllllwtw...,,_._....,._M ,... .. n.i,. . . -..r-.... -,..,.,, ... )(.,.,
,...,_,_,.,FI
•ru1.,.-ui
0.--*""ll'· 11'\M .... C-c...M_..,. I .. -..IM!lf ... """. '"""'·
l =::.~ ...
- ( r l l l . . . .....__~
... ..,.._'"""""
.,...i...,09_
Jae - 111.
-~--VJ..-U l C - • t . • +
Promoting and Nurturing Interactions w ith Open Access
Books: Strategies for Publishers and Authors
A COPIM WPb Research and Scoping Report
C0pim
OptOJ«.t. ...- .. . ., .
?artl:11tff'XtJoflinCorntrt a ::~:':'::~~~-":
..
~": .~.:=:~...-... ,
.. -,. .... -
... .,.... --
---
?wt l: ~ecommend.1.tions. Guldtllnti.
.mc!Edf'racti::tsl'I
.=:-..:::.:.~:~::~.-:::
..
~~- .. --·-·-·
...-·
_..,...,__..