• No results found

Speaking & Building. Fotobok. (16.14Mb)

N/A
N/A
Protected

Academic year: 2022

Share "Speaking & Building. Fotobok. (16.14Mb)"

Copied!
139
0
0

Laster.... (Se fulltekst nå)

Fulltekst

(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(19)
(20)
(21)
(22)
(23)
(24)
(25)
(26)
(27)
(28)
(29)
(30)
(31)
(32)
(33)
(34)
(35)
(36)
(37)
(38)
(39)
(40)
(41)

81

80

(42)
(43)

85

84

(44)

87

86

(45)

89

88

(46)

91

90

(47)

92

(48)
(49)
(50)
(51)
(52)
(53)
(54)
(55)
(56)
(57)
(58)
(59)
(60)
(61)
(62)
(63)
(64)
(65)
(66)
(67)
(68)
(69)
(70)
(71)
(72)
(73)
(74)
(75)
(76)
(77)
(78)
(79)
(80)
(81)
(82)
(83)
(84)
(85)
(86)
(87)
(88)
(89)
(90)
(91)
(92)
(93)
(94)
(95)
(96)
(97)
(98)
(99)
(100)
(101)
(102)
(103)
(104)
(105)
(106)

211

210

(107)

213

212

(108)

215

214

(109)
(110)

219

218

(111)
(112)
(113)
(114)
(115)
(116)
(117)
(118)
(119)
(120)
(121)
(122)
(123)
(124)
(125)
(126)
(127)
(128)
(129)
(130)
(131)
(132)
(133)
(134)
(135)
(136)
(137)
(138)

This publication is the first part of three inter connected works including The Wave of the Work (arrangement) and Choreo­

poetic (text, publication) by choreographic artist Eva- Cecilie Richardsen

This publication accompanies the arrangement The Wave of the Work On view: August 26 – 29, 2015 at Oslo National Academy of the Arts

Acknowledgements

The Wave of the Work is a new project made possible by the support of the Norwegian Artistic Research Programme and Oslo National Academy of the Arts.

Eva-Cecilie Richardsen has been a research fellow at Oslo National Academy of the Arts in the period October 2011 – 2015.

The research project is developed through choreographic transmissions across disci- plines and discourses — searching for a more interdisciplinary vocabulary in dance and choreography. The relation between physical space and image space is app- roached through blurred categories of doc- umentary and theatrical images to chal- lenge the ontological priority of the live performance. These (image) spaces, objects, actions and events are built upon an ever- evolving series of methodological encounters named Speaking & Building. Through a range of transdiciplinary practices, materials and thought-actions, gestures of work are occuring in various scales, formats and mediums such as film, photo graphy, instal- lations, field-recordings, text, dance and dialogs.

Looking at choreography through the lens of visual art has been a strategy with an aim to propose a different way of approaching

— another way of knowing — that is not about the work itself, but about the ramifi- cation of things.

The publications are supported by Arts Council Norway

I extend my warm thanx to the contributing artists in the images:

Ingri Fiksdal, Janne-Camilla Lyster, Eivind Seljesteh, Marianne Kjærsund, Guro Schia, Brynjar Bandlien, Mia Habib, Ole Martin Meland, Cecilie Lindeman Steen, Chrisander Brun, Sigrid Hirsch Kopperdal, Signe Becker, Marte Vold, Ludvig Daae, Ida Gudbrandsen, Goro Tronsmo, Espen Sommer Eide, Gry Bech- Hanssen, Ferder August Schrumpf Richardsen, Cecilia Kringsell and Julie Moviken, Jesper Nilsson.

All photos by Eva-Cecilie Richardsen 2011 – 2015

Video stills by photographer Marte Vold 2011 – 2013

Verticalization of Ground (research film 2011) → p. 24 – 25, 30 – 35

Hole in Wall (research film 2012) → p. 28 Kveil (research film 2012) → p. 26–27, 112–113 Weaving (research film 2011) → p. 166 – 167 Throwback (research film 2012) → p. 94 Double Room (research film (2013) → p. 178 Speaking & Building #1 (2012)

→ p. 152 – 157, 95 – 103, 126 – 129, 138 – 139, 198 – 199, 208 – 214

Speaking & Building #2 (2012)

→ p. 250, 252 – 253 Speaking & Building #4 (2013) → p. 130, 256 – 261

Unpacking Piano (video sketch (2012)

→ p. 131

Material Study (research film 2013)

→ p. 264 – 267

Dialog, Speaking & Building #3(research film, 2012) → p. 262 – 263

Speaking & Building #5 (2013) → p. 14 – 15 Fatman (2011) → p. 254 – 255

Figures. Speaking & Building #1 (2012)

→ p. 268 – 271

The spatial concepts in the images are made by Eva-Cecilie Richardsen, within the methodological framing of Speaking &

Building #1 – 9, 2011 – 2015.

Several of the spatial set-ups and construc- tions in the images from 2012 are made in collaboration between Signe Becker and Eva- Cecilie Richardsen as part of Speaking

& Building #2. The collection of the «tree»- lamps are made by Chrisander Brun and Signe Becker as part of Speaking & Build- ing #2, 2012.

Print by Printon Trükikoda Design by NODE Berlin Oslo

(139)

Referanser

RELATERTE DOKUMENTER

Carsten Strobel, Olav Aga, Peter Bekkhus-Wetterberg, Guro Bjørkløf, Martin Brierley, Martin Bystad, Knut Engedal, Per Kristian Haugen, Hans Johansen, Katinka Odner & Tor

Foran, fra venstre: Ingrid Dahlen Rogstad, Bernard Enjolras (forskningsleder), Signe Bock Segaard, Guro Ødegård, Kari Steen-Johnsen, Karl Henrik Sivesind, Atle Hennum Haugs-

CHRISTOPHERSENS G PEDER CLAUSSØNS GATE PEDER CLAUSSØNS GATE CAMILLA COLLETTS VEG OLEA CRØGERS VEG OLE CUDRIOS GATE GREG.. SØR

CHRISTOPHERSENS G PEDER CLAUSSØNS GATE PEDER CLAUSSØNS GATE CAMILLA COLLETTS VEG OLEA CRØGERS VEG OLE CUDRIOS GATE GREG.. SØR

Bedømmelseskomité: Kristian Borg, Rehabiliteringsmedicinske Universitetskliniken, Danderyds sjukhus AB, Stockholm, Sverige, Eivind Meland, Institu for global helse og

Clinical outcome after mosaicplasty of knee articular cartilage defects of patellofemoral joint versus tibiofemoral joint.. Eirik Solheim a,b,c,∗ , Janne Hegna b , Eivind

Når vi finner at koblingen mellom bruk av sosiale medier og politisk deltagelse er sterkere blant ungdom, handler dette om at sosiale medier er tett(ere) sammen- vevd med

In 1980, artist Marianne Heske (b. 1946) presented Project Gjerdeløa at the Centre Pompidou Museum in Paris and at the Henie Onstad Art Centre in Oslo.. The artwork consisted of