View of Moments and Open Doors: A Tribute to Mercédès Pavlicevic

In music therapy practice, self-reflexivity in/through improvisation has long been part of understanding therapeutic process for music therapists (Bruscia, 2015; McCaffrey

SPACE: A Journal for (Future) Music Therapists to Explore and Express through Song- writing is a resource for music therapy students and professionals developed by the author of

With a commitment to both enhancing international communication within the music therapy community, as well as a commitment to providing open access to music therapy schol-

The aim of this scoping project was to gather information about programs and projects where music therapists travel internationally to countries and communities where mu- sic therapy

Despite contemporary perspectives in resource-oriented music therapy, community music therapy, and anti-oppressive practice, there seems still to be a tendency to describe

We are proud to introduce “Global Voices of Music Therapy: An interactive wiki” as a new platform for music therapists from around the world to share information about the practice

“Music therapy and music are relat- ed to tribal systems that use ritual at the core of their healing systems” (Kenny & Stige, 2008, para. For Carolyn, ritual in music therapy

Mercédès lived this question through her endeavour: training as a music therapist in London, doing music therapy with so many people, researching a pioneering doctoral thesis,